A Q&A with Luke Angus on his latest short stunner: Solstice.

A collection of short writing on the film of LFF 2025!

'The Smashing Machine' is too nice.

'My Father's Shadow' has kicked off my LFF coverage. A wonderfully melancholic story of two boys' trip to Lagos with their father, and the revolution to come.

I spilt my coffee while watching Islands. I’m sorry to the person who had to sit in B3 after the movie, that’s on me, but this incredibly classic thriller didn’t give me time to look for a cupholder.

Christy is a gloriously cute social drama that nails that barbershop feeling, somehow, while Irish children rap.

Ari Aster's latest is bound to ruffle a few feathers: this incredibly modern TikTok western stands out from the crowd by attacking the closest target, whoever that may be.

What a bunch we've got this year! From morose giants travelling to the moon, to purple fart men, to sapphic romances about mountain women, there's so much on offer in this group of phenomenal shorts.

This is the 'Year with the Good Movies'. No? Ah well.

It's a good bit, but it gets to a point.

Has there ever been a worse title for a bigger movie than this summer lynchpin? Brad Pitt and Damson Idris flatline in this bloated excuse for a Maverick B-side.

Pixar's latest is their first trip to space in 17 years: the story of a boy looking to the stars for a friend.

I mean, it's no How to Train Your Dragon (2010), but it's alright.

Comparisons abound: Ballerina isn't worthy of the John Wick mantle, but it's still a pretty great grenade movie.

Where is the core to this gorgeous slice of neo film-noir?

You won't see another film this year about child cancer with this much horse penis, I'll tell you that for free.

For about 5 minutes, the most daring and mature animated feature made by a major American studio. And then it's not.

For all of the flak he's been getting, Wes is in the habit of surviving: his latest is a gorgeous espionage thriller about an oft-assassinated old man trying to connect with his daughter.

Pixar's debut TV outing earns its spot amongst their ranks: funny, smart, beautiful to look at, and surprisingly heartfelt, 'Win or Lose' knocks it out of the park.

Romance, dancing, leaf humans, swashbuckling pirates and nude streaking; Scott Derrickson's 'The Gorge' has enough to fill that crater and then some.